three scores (2007/8) # 2

Jez Riley French

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score for a footbridge

score for a locale

score for geothermal ultrasonics

Bruxelles Score # 3

score for Ivan & Anna

(....) a coda

two events - april (2007)

two events - holy trinity

photographic score - the czech scores # 1

photographic score - the czech scores # 2

photographic score - the czech scores # 3

photographic score - the czech scores # 4

photographic score - the czech scores # 5

photographic score - the czech scores # 6

photographic score - the estonian scores # 1

photographic score - the estonian scores # 2

photographic score - the estonian scores # 3

photographic score - the estonian scores # 4

photographic score - surfaces (2007/8) # 1

photographic score - surfaces (2007/8) # 2

photographic score - surfaces (2007/8) # 3

photographic score - surfaces (2007/8) # 4

photographic score - surfaces (2007/8) # 5

photographic score - surfaces (2007/8) # 6

three scores (2007/8) # 1

three scores (2007/8) # 2

three scores (2007/8) # 3

photographic score - surfaces # 2

Bruxelles Score # 4

the isolde scores

score for rowan

score for amy

score for carina

photographic score - moments # 1

photographic score - moments # 2

score for paiva river (2010)

fossil, light

four sections, four silences

owl, window | this bridge

tonal score in ten sections

vocal score for choir # 1

blossom, cover - score for stillness

light tones (covered)

halt, walking

score for mist notes

hushed places - for choir and field recording

score for listening # 8

score for listening # 10

score for listening # 11

score for listening # 12

score for listening # 14 - quietude (mullae)

score for listening # 17

score for listening # 20

score for listening # 21

score for listening # 22

score for listening # 24

score for listening # 25

score for listening # 26

score for listening # 28

score for listening # 30

score for listening # 31

score for listening # 32

score for listening # 33

score for listening # 34

score for listening # 35

score for listening # 36

score for listening # 37

score for listening # 40

score for listening # 41

score for listening # 42

score for listening # 43

score for listening # 44

score for listening # 46

score for listening # 47

score for listening # 48

score for listening # 49

score for listening | score for silo city

score for listening # 110

waiting / compact - score for listening # 78

score for listening # 50

score for listening # 51

score for listening # 52

score for listening # 53

tuning

prelude

adagio

soliloquy

returning

sostenuto

Additional Information

. a solo performer using any instrument, object or set of processes should respond intuitively to the image & the divisions of the image.

. aspects such as changes in colour tone, point of light and the softness of the overall image should inform the interpretation.

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Year

Tuesday, January 1, 2008 - 12:00

Score file

three scores 2.pdf

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Additional Information

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