sostenuto
Jez Riley French

Browse Works

score for a footbridge
score for a locale
score for geothermal ultrasonics
Bruxelles Score # 3
score for Ivan & Anna
(....) a coda
two events - april (2007)
two events - holy trinity
photographic score - the czech scores # 1
photographic score - the czech scores # 2
photographic score - the czech scores # 3
photographic score - the czech scores # 4
photographic score - the czech scores # 5
photographic score - the czech scores # 6
photographic score - the estonian scores # 1
photographic score - the estonian scores # 2
photographic score - the estonian scores # 3
photographic score - the estonian scores # 4
photographic score - surfaces (2007/8) # 1
photographic score - surfaces (2007/8) # 2
photographic score - surfaces (2007/8) # 3
photographic score - surfaces (2007/8) # 4
photographic score - surfaces (2007/8) # 5
photographic score - surfaces (2007/8) # 6
three scores (2007/8) # 1
three scores (2007/8) # 2
three scores (2007/8) # 3
photographic score - surfaces # 2
Bruxelles Score # 4
the isolde scores
score for rowan
score for amy
score for carina
photographic score - moments # 1
photographic score - moments # 2
score for paiva river (2010)
fossil, light
four sections, four silences
owl, window | this bridge
tonal score in ten sections
vocal score for choir # 1
blossom, cover - score for stillness
light tones (covered)
halt, walking
score for mist notes
hushed places - for choir and field recording
score for listening # 8
score for listening # 10
score for listening # 11
score for listening # 12
score for listening # 14 - quietude (mullae)
score for listening # 17
score for listening # 20
score for listening # 21
score for listening # 22
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score for listening # 44
score for listening # 46
score for listening # 47
score for listening # 48
score for listening # 49
score for listening | score for silo city
score for listening # 110
waiting / compact - score for listening # 78
score for listening # 50
score for listening # 51
score for listening # 52
score for listening # 53
tuning
prelude
adagio
soliloquy
returning
sostenuto

Additional Information

built from recordings of architectural spaces resonating, being sounded by orchestras and ensembles playing re-scored sections of adagios - a few seconds re-scored as durational performances 

recorded using JrF c-series contact microphones and adapted geophones 

on and around each location 

this technique of using buildings as filters for sound performances, and in and of themselves, is one that I have developed over the past decade or so and stems from my interest in sounds not normally audible to us, and on how structures affect our sonic experience. 

first realisation is available on this release:

https://engravedglass.bandcamp.com/track/sostenuto

Details

Year
Minutes
13

Recordings

Date published
2018
Date recorded
2016
Title
salts | adagios