Levitas, Gravitas and High Intensity Interval Training for Sharon d'Aire
Andy Ingamells

Browse Works

A Song
Private Hire
Tape Piece
Why that monkey washes his balls in my whisky
A performance is never rehearsed, a performance is never repeated
BROWN MONDAY
Worse than nothing
New Street Counterpoint
Piano Recital
Composing music for 11 minutes dressed in 18th Century costume
Punk rock your my big cry baby
Tea Towel
Up Down Left Right
Terry's Missus: I want a divorce
Readymade: No. 4.2
@textscoreaday #180
Levitas, Gravitas and High Intensity Interval Training for Sharon d'Aire
Stand facing an audience
Read this text at a medium speed
Make each face a living note
Song (in) books

Instrumentation

Flute
4
2 exercising performers

Additional Information

Kathryn Williams and Andy Ingamells operate together as a composition duo. Their work teeters on the balance of rigorous enquiry and playfulness, including the practice of pentimento (a technique used in oil painting where sketches underneath the paint are slowly revealed over time), and applying this to sound, performance, and their bodies.

This piece is for 2 or 6 performers. If the piece is to be performed by 2 people, then all other parts should be pre-recorded and played as backing tracks.

First performed on 20th March 2019 at Nonclassical, London.

Tags

Music theatre
Experimental Music
composer-performer
collaboration

Details

by Andy Ingamells and Kathryn Williams
Year
Score file
Levitas, Gravitas and High Intensity Interval Training for Sharon d'Aire.pdf
Minutes
17

Recordings

Performers
Andy Ingamells and Kathryn WIlliams
Title
Levitas, Gravitas and High Intensity Interval Training for Sharon d'Aire
Media link
Levitas, Gravitas and High Intensity Interval Training for Sharon d'Aire