"For me, as someone who considers themselves conceptually led, the term composer can often be too limiting..."
'The focus of this interview is Manchester based digital story-teller and sound-artist, Gemma Nash. I became aware of Gemma when she interviewed for Sound and Music’s Pathways Programme. I was on the panel and was intrigued by the strong political and social narrative in her sound work...'
"I am very interested in creating a labyrinth and in combining different materials together..."
'Colin is one of the few classically trained composers who have a serious interest in sensory impairment and I wanted to speak with him in more detail about his own work in this area…’
Embedded British Music Collection / Unlimited Impact
"The thing is that new music can be and mean all sorts of things, and shouldn't be thought of as ‘specialist’ in general..."
The seventh, and final, article in a series on pieces for young players from the 1960s and 70s
"To me it’s not important that the equipment I use is necessarily the most ‘high-tech’...it’s more important that there is an intimacy transmitted."
"Somebody once told me an artist is the one who never stops. It's not easy obviously. But it has never been easy. "