"...Phyllis was later to become dissatisfied with most of this early work, committing nearly all of the scores to flames." #BMC50
"There are always times – in conversation as well as in improvisation – when the best response is silence..."
"The opportunity to work solo but with a dancer or visual artist inspires me - when there is someone to bounce off"
"I’m quite interested in blurring the so-called right and left brain; what’s rational and what’s intuitive..."
"In listening to each piece, her presence at each site and the time spent with members of the local community become clear..."