Described by Gramophone magazine as working in the “more radical domain” of British music, David Gorton’s works are often characterized by microtonal tuning systems and performer virtuosity. Yet alongside apparently complex works his output includes compositions for amateur choirs and pieces in the ABRSM Spectrum series.
He first came to public attention in 2001 when he was awarded the Royal Philharmonic Society Composition Prize. Commissions followed for ensembles that include the London Sinfonietta, the BBC Symphony Orchestra, Ensemble Exposé, Jane's Minstrels, and the Kreutzer Quartet. His compositions have been performed throughout Europe and America, in China, and in Vietnam, and much of his recent music is recorded on the Métier label. Much of his output comprises series of works for solo performers with whom he has built a collaborative relationship over a period of years, including the violinist Peter Sheppard Skærved, cellist Neil Heyde, oboist Christopher Redgate, pianist Zubin Kanga, and guitar player Stefan Östersjö.
David Gorton was a student at Durham University, King’s College London, and the Royal Academy of Music, studying composition with Harrison Birtwistle and Simon Bainbridge. From 2004-06 he held a Leverhulme Trust Early Career Fellowship for a compositionally-driven project about musical time, structure, and performance. He is currently the Associate Head of Research at the Royal Academy of Music in London, and an associate researcher at the Orpheus Institute in Ghent.
Current projects include a new work inspired by East Anglian landscapes for pianist Roderick Chadwick and CHROMA ensemble, and a CD recording of works drawing on the music of John Dowland, with guitar player Stefan Östersjö and Longbow Ensemble.