"I see improvisation as instant (usually collaborative) composition....an important form of musical communication..."
"The British Music Collection doesn’t discriminate; anything goes – see for yourself…"
"I had so much fun and felt so at home in this music... I knew immediately this was a music scene I wanted to be a part of."
"It felt experimental: seeing what would happen if I subjected strongly iconic musical ideas to somewhat mechanical, ‘alien’ treatments and procedures."
"There are always times – in conversation as well as in improvisation – when the best response is silence..."
"All I know is there’s a reason musicians and composers shouldn’t talk."
"Improvisation to me is a journey each time, that is followed by a memory"
Oxford Philharmonic's Marios Papadopoulos brings New Music to one of the world’s oldest Universities