Embedded British Music Collection / Unlimited Impact
"The thing is that new music can be and mean all sorts of things, and shouldn't be thought of as ‘specialist’ in general..."
The seventh, and final, article in a series on pieces for young players from the 1960s and 70s
"To me it’s not important that the equipment I use is necessarily the most ‘high-tech’...it’s more important that there is an intimacy transmitted."
"Somebody once told me an artist is the one who never stops. It's not easy obviously. But it has never been easy. "
The first of a series of articles relating to Ailís' Embedded residency at the British Music Collection
"What brings me back to that period of my artistic career is a kind of transgresive approach to intensity, which I try to generate in my present work"
The sixth article in a series on pieces for young players from the 1960s and 70s