Sarah Hughes is a British artist, composer and performer, producing work that explores the boundaries of interdisciplinary practice, often moving between sculpture, installation, composition and music. Hughes is the co-founder of Compost and Height, a curatorial platform that focuses on new music and composition. She is also co-editor of the new music journal, Wolf Notes, and co-founder of BORE, a publication dedicated to experimental text-based and graphic scores.
Hughes’s work has been exhibited and performed internationally, including at South London Gallery, Cass Sculpture Foundation, Supplement, London; V22, London; Sydney Non Objective, Australia, and Oriel Davies, Wales. Her compositions have been performed by Dog Star Orchestra, a.pe.ri.od.ic ensemble, The Set Ensemble, as well as various ad hoc groups of musicians at festivals including Music We'd Like To Hear, London; Huddersfield Contemporary Music Festival; Blurred Edges, Belgium; and Audiograft Festival, Oxford. Realisations of her compositions have been published by Another Timbre Records, Suppedaneum, Consumer Waste Records and Reductive Music.
As a performer Hughes has played at various venues including the Musée des Beaux Arts de Nantes; The Wulf, Los Angeles; Cafe Oto, London; Parasol Unit, London; Holywell Music Hall, Oxford, and with a number of musicians including Angharad Davies, Tim Parkinson, Jürg Frey, Michael Pisaro, Antoine Beuger, Patrick Farmer, Stephen Cornford, Ryoko Akama, David Stent, and Dominic Lash.
Hughes was the Sound and Music Embedded composer-in-residence at South London Gallery 2015-16.